Movie Review: Shutter Island

There’s something mesmerizing about Martin Scorsese and the answer as to what finally dawned on me while watching him accept the Cecil B. DeMille Award at the Golden Globes almost a month ago. No, it’s not his furry caterpillar eyebrows tucked behind his bold, thick-framed glasses, nor is it his infectiously happy speech and big-toothed grandpa grin. To be precise, it’s his absolute and lasting love of all things cinema, which was unmistakable as I listened to his gracious remarks after receiving the prestigious award from the Hollywood Foreign Press.

Don’t believe me? Consider Scorsese’s 64 Oscar nominations and 15 wins (along with 51 Golden Globe nominations and 9 wins) over the last 42 years and show me another director with the similar accolades who isn’t considered one of the greatest of all-time. Add to Scorsese’s resume his romance with film history and film preservation and it’s easy to see the pure love and craftsmanship he saturates in each and every movie he directs. Nothing could be truer of his newest picture, Shutter Island, faithfully adapted from the 2003 novel of the same name by Dennis Lehane, who is also the brains behind Gone Baby Gone and Mystic River (made into fantastic movies by Ben Affleck and Clint Eastwood, respectively).

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