Pixar’s Up Dominates Weekend Box Office

Everybody loves “Up” and that was etched in stone over the weekend when theatergoers anxious to see Pixar’s new computer animated masterpiece poured in $68.2 million, knocking “Night at the Museum: Battle of the Smithsonian” out of first place and dropping “Terminator Salvation” to fourth place. “Star Trek” stayed strong in the fifth spot, with a four week gross of $209.5 million. Frankly, I can’t see “Up” relinquishing the top spot anytime soon, either. I don’t think upcoming releases “Land

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Up: Pixar’s New Film is Heartfelt Magic (****)

There is a scene in Pixar’s new computer-animated film “Up” where the entire life, from youth to old age, of our grumpy, square-jawed, prune-faced protagonist, Carl Fredricksen (Edward Asner), is played out in a matter of minutes. Accompanied by composer Michael Giacchino’s (“Star Trek,” “Ratatouille”) gentle piano-based score, and without any dialogue, we catch a glimpse of Carl’s simple, stress-free and full-of-love life with his childhood sweetheart, Elie, who, at the end of the montage, passes away. It’s a moving

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Twilight New Moon Images from EW

I was perusing the web this morning and came across these “Twilight: New Moon” images at Entertainment Weekly’s website. I’ll be frank, I have no idea what is even happening in these photos, but my guess is Bella is pouting in both and these rugged, over-stylized vampires are giving her tender, yet firm guidance. And of course the one with Edward Sparklepants is definitely ending in a cold, pasty kiss. These do nothing for me, but if you’re a “Twilight”

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Terminator Salvation Spanked at the Box Office

Its official, folks – Christian “It’s F***ing Distracting” Bale and his “Terminator Salvation” action extravaganza was not only beaten by “Night at the Museum: Battle of the Smithsonian” at the box office this past weekend, but was soundly spanked like a whiny, petulant child, which, in Bale’s case, might be somewhat true.  And thus it can now be etched in stone: The Fandango Five can suck it. NATM: BOTS, as it’s called by text messengers everywhere, earned a weekend gross

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Ha! Ha! Screw you Fandango!

The Fandango Five tried to make me look like a cotton-headed-ninny-muggins on Friday with the irrelevant tidbit that “Night at the Museum: Battle of the Smithsonian” was number four in online ticket sales leading into the weekend, hence giving the impression it wouldn’t come close to touching “Terminator Salvation” for the top spot, and maybe would even be trumped by “Star Trek” or “Angels & Demons.” But, see, here’s the thing:  I am never wrong! So, with great humility I

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Inglourious Basterds Getting Mixed Reviews

Eeek! So much for everyone fawning over Quentin Tarantino’s supposed greatest screenplay ever, i.e.  the oft-reported on “Inglourious Basterds.” Word out of the Cannes Film Festival is mixed and RottenTomatoes.com has the movie at 57% on the Tomatoemeter, with 14 reviews posted (eight fresh, six rotten). And don’t think those snooty French filmgoers and their love of aberrant sex and all things boring have this film painted into a corner. No, sir, our beloved American critics are pooping on this

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Terminator Salvation Review (**)

Christian Bale (“The Dark Knight”) gained some undesired press this past winter when an audio clip of him having a nuclear meltdown on the set of “Terminator Salvation” aired on TV, radio and spread to every corner of the web. Meltdowns on movie sets happen all the time, so I’m sure Mr. Bale probably felt like he’d been de-pantsed and punched in the netherregions by the public, who months earlier were lauding him for his performance in “The Dark Knight.”

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Early Buzz on Tarantino’s Basterds

Quentin Tarantino and the cast of “Inglorious Basterds” are at the Cannes Film Festival and early buzz from Roger Ebert and CNN seems to be good, especially if you’re someone who isn’t keen on brutal violence pasted on the silver screen just for kicks. It seems this Tarantino film has more talking than gore, of course this is also a war movie and sometimes war violence is treated with kid gloves because, well, it’s war. And war is hell. And

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