The New Robin Hood Looks Like the Old Robin Hood, But With More Crowe

Andy and I had a little disagreement a while back. He said the 90’s Costner vehicle Robin Hood: Prince of Thieves was crapola. I disagreed. After viewing it again a few nights ago, I think I might have to acquiesce… it might be a little dated and a little silly. Or maybe I wasn’t feeling 90’s action vibe at the time. Either way, I’m sorry, Kevin Reynolds. I’ll still go to bat for Waterworld and Count of Monte Cristo though…

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Red Dawn(s) Again

As a 10-year-old kid in the middle of the Cold War circa 1984, Red Dawn freaked me the crap out. Hollywood’s first wide-release PG-13 movie, Red Dawn earned it’s 13 with enough surprisingly violent and grounded in enough realism to make it both bleak and frightening. Red Dawn also has the honor of being the film that originally coined the now legendary “Wolveriiiiiiiiines!”– a war cry I shout out every time I think about having to enter a Wal-Mart. While

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Hurtin’ For Hurt Locker

Ok, so there’s one more summer film I’m pining to see– one that’s got some exceptional buzz but seems to be arriving quietly: Hurt Locker. If Hurt Locker has been flying under your radar, hopefully the newly released “Trailer B” puts an end to that travesty. Hurt Locker, the based-on-truth story of a combat bomb squad, is directed by the lovely Katherine Bigelow. If that name means nothing to you and you’re an action fan… for shame! Bigelow directed the

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Blade Runner Receives a Mooning

Right now, even as you read this, there’s a grundleload of highly anticipated movies lining up for their crack at your summer dollars. I’m all kinds of jazzed about seeing one in particular and can’t wait to toss my dollars in its face: Moon. Yes, Moon! I know, huh. Thing is, I love this stuff– the somewhat pessimistic and spooky stencil of human insignificance against the cold, black unknown of space. The spartan existence of the men and women who

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Trailer Tuesday (Dan’s Pick): The Brothers Bloom

Way back in the high-flying days of 2005, a little indie film busted onto the scene like an object through a plate glass window. That film? Brick, naturally. A mature film noir based entirely in a High School’s underworld, the film played out with cracking dialogue and ultra-hip sensibility. Rian Johnson was the man responsible. A few years and some film festivals/shelf-sitting later, Rian’s second project, The Brothers Bloom, finally gets to see the wide light of day come May

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The Weekend Wide Movie Guide: 5.10.09

Happy weekend! Early. Three wide releases. One succinct, if not overcrowded, summary. Here we go. Observe and Report: Omnipresent Seth Rogan and cute but always subversive Anna Faris wield their hilarious ways in this not-so-feel-good comedy tribute to gratuitous male nudity. Mr. Rogan plays an overzealous mall cop with aspirations of real cop success. He’s also and overzealous mall cop with aspirations on winning the keys to a shallow beauty-counter girl’s heart and pants (Ferris). All his wildest dreams come

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Where the Awesome Things Are

Over at this one blog, I gushed profusely about the trailer for the upcoming film adaptation of Where the Wild Things Are. It went a little something like this <cut/paste>: I know I’ve already pontificated once today, but I couldn’t NOT post this. If you read Where The Wild Things Are as a kid, you’ll understand why I say it’s a childhood touchstone – the kind that morphs into a generational pass-along. Whether it was the dark and charming Caldecott

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Trailer Tuesday (Dan’s Pick): Hunter Prey

So, I’m not a sucker for the singing/dancing genre. While I don’t discount it wholesale and appreciate the skill and craftsmanship behind a musical production of any kind, I’d rather spend movie time watching things get blowed up real good. Preferably in space.  I’m sure I have my 3-year-old Star Wars viewing in 1977 to blame for that, which explains my fontanelle for the oft-punched Chronicles of Riddick, monster movies and an inability to totally discount most of the truly

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