Blog Posts

New Moon Punches Potter in the Box Office Privates

Stephen King might think J.K. Rowling is a better writer than oft-maligned Stephanie Meyer, but Twilight fans gave critics and naysayers the middle finger at midnight screenings on Friday, helping The Twilight Saga: New Moon become the highest-grossing midnight screening ever with $26.27 million. New Moon’s next target? The Dark Knight and the record for highest opening day with $67.2 million in ticket sales. Folks tracking New Moon’s progress believe the movie will gross over $70 million. As it stands,

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Movie Review – The Twilight Saga: New Moon (C+)

The tidal wave of New Moon hysteria hit early this morning as thousands of women of all ages, along with 25 guys, streamed into screenings starting at midnight, all hoping the second film in The Twilight Saga would be as tasty or better than last year’s Twilight. Judging by the squeals and the oohs and the ahhs, I’d say 99 percent of the audience was satiated with enough gooey Edward and Bella romance to last until June 2010 when The

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Yeah, I’ll Defend of New Moon. Kind of.

New Moon is currently basking in a pile of critical distaste. It’s currently a sad and deflated 30% on Rotten Tomatoes and has 70% of listed critics giving it stink eye. Not that critical ire matters in terms of films like these. New Moon will make its money and add further fuel to the “critics are out of touch” fire– just like Twilight’s spiritual cinematic brothers G.I. Joe and Transformers: Revenge of the Fallen did this summer. Critical loathing won’t

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Movie Review (Dan’s Take): The Twilight Saga: New Moon (B-)

So now might be time to relinquish my right to continue as a bear wrestling, hairy chested, card carrying male. I unapologetically enjoyed New Moon… all in spite of itself. Qualified: “enjoyed” doesn’t mean squealing, wooing, heart-stopping delight, but rather pleasant surprise at Chris Weitz’ relatively true handle on overwrought teen angst and the brief action beats that break it up.  In short, Weitz directs a film that, despite a ploddingly joyless eternal love between vampire Edward and heroine Bella

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Movie Review (Dan’s Take): The Blind Side (B-)

The Blind Side, the true life story of a wandering “orphan” taken in by a wealthy Tennessee family, works on the premise of clever subterfuge. The film is being marketed as a rags-to-riches sports success tale, but ultimately, it’s not that as much as it is a dollop of inspirational suggestion on matters of humanity, economic responsibility and showing a “blind side” to race; all in a football slicked shell. Director John Lee Hancock’s (The Rookie) adaptation of the book

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Dear Kristen Stewart: This is Not a Good Look for You

They say when two people are in love they start to take on the other’s characteristics and, some say, physical characteristics. Yeah, well, that must be the case here, because Kristen Stewart is channeling Robert Pattinson’s Edward Cullen in this picture from a premiere of The Twilight Saga: New Moon. Oh, and while you’re considering how not cute Kristen is looking in that picture, make sure to remind yourself how hot Ashley Greene is. And now I’m done with AATM’s

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The Holiday Nine

The Holidays are here, meaning studios will trot out their best in an effort to garner Oscar attention as close to Oscar time as possible. It also means we’ll be treated to some “family friendly” pap, total misses and the stuff that’s somewhere in between. Here’s our first-impression on the upcoming season’s Must-See, Maybe’s and Must-Misses, all spiffed up and scrubbed by way of our Holiday Nine. Must – See Avatar (December 18) -Dan If you’ve been following AATM or

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Trailer Tuesday (Dan’s Pick): Nine

Rob Marshall’s (Chicago) next big singing, lush-glam, glitz-fest before heading off to helm the new Pirates of the Caribbean movie is Nine. Leading on our list of Must-Miss Holiday movies, Nine is the reality turned fantasy story of Guido Contini, an Italian filmmaker who navigates the estrogen-filled waters of Woman Land. Based on the Broadway musical of the same name, Nine will certainly be a flashy and sexy production at the hands of Rob Marshall, but as an admitted non-fan

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