Trailer Tuesday: A Serious Man

This might be the most annoying yet entertaining trailer I’ve ever seen. I rode the entire 1:40 out simultaneously laughing and wanting to bash my head in with a hammer. What you see below is a preview for the new movie from Joel and Ethan Coen, another black comedy written, directed and produced by the pair. The story is about a Jewish professor living in a Minneapolis suburb, who, despite his best efforts to be a “serious man,” is plummeting

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Trailer Tuesday (Dan’s Pick): Where The Wild Things Are (Part II)

I may not have said it before, but I’ll say it again anyway: Satan abounds in the hearts of those not moved by the trailers for Where the Wild Things Are. That may be going a little far, but I’m big time into hyperbole, so it stands. In what seems like just yesterday, when the first WTWTA trailer hit, I had this to say: “Viewing the just-released trailer now– two years later– I couldn’t be more enchanted with the potential

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Get your Twilight Fix at Bandslam

If you’re like me you are absolutely dying for the November 20th release of The Twilight Saga: New Moon. Time can’t move swiftly enough for me to reconnect with Bella (Kristen Stewart), Edward (Robert Pattinson) and to spend a little more time with that hunky, eventually-shafted lycan, Jacob (Taylor Lautner). And when I say I’m absolutely dying to see the sequel to last year’s Twilight, I really mean I’d rather spend two days stapled to my couch watching a marathon

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GI Joe is People, Too

You may not have heard, but despite poor, poor, poor, poor, poor buzz, GI Joe did pretty well this last weekend and enjoyed almost $60 million hard earned American dollars shoved into its battle-ready G-string. Internationally, Joe did even more– $100 million in Francs, Euros, Pounds, Yen and other assorted monetaries worth more than the dollar. I’d like to say GI Joe‘s success came from the fact Andy and I really enjoyed its ridiculous silliness, so I will. As a

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Spielberg + Halo = I Just Pooped Myself

There is nothing I would love more than to see my beloved Halo come to the big screen. As I noted in a previous post, the Halo universe is fairly intricate and most people – keyword, most – aren’t familiar with the backstory depth and detail that hardcore Halo fans have come to love. But if you remember, I said last month the Peter Jackson produced, Neill Blomkamp version is dead and buried. Like hot girls that give you the

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John Hughes: Planes, Trains & Automobiles

Everyone knows by now of John Hughes death the other day, so instead of crafting some long-winded eulogy about Hughes’ place in cinema history, I figured it better to post one of my favorite scenes from one of my favorite John Hughes movies – Planes, Trains & Automobiles. Beware: There are several f-words in this clip, but this exchange between Steve Martin and Edie McClurg is absolutely classic.

Julie & Julia (***)

I’ve been to New York City twice in my 35 years, once for business and then again last November to run the 2008 ING New York City Marathon. Both trips to the city did nothing but foster my fondness and awe for The City that Never Sleeps. From running through Brooklyn and Queens on a crisp autumn morning with 50,000 other runners, to looking down from the Empire State Building at the sea of stars that is Manhattan, to eating

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G.I. Joe: The Rise of Cobra (***)

Surely you’ve heard the buzz and outcry surrounding Paramount Picture’s decision to withhold G.I. Joe: The Rise of Cobra from the bulk of film critics this week, instead giving a few web mainstays like Devin Faraci of CHUD.com and Harry Knowles from Aint’tItCoolNews.com the chance to see the much maligned Stephen Sommers movie in advance. Frankly, I think it’s a great move by Paramount. They proved with Transformers: Revenge of the Fallen that a 20 percent fresh rating on RottenTomatoes.com

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Movie Review: A Perfect Getaway: B

Each summer, studios drop a late-season, B-grade thriller into theaters in hopes of seeing it make a run at a dark horse weekend. 2005: Into the Blue and Red Eye. Last year: Death Race and Mirrors. Two of those four qualify for a the Showcase of Shame and both, incidentally, were not released in 2008. But so much for old memories. It’s summer 2009 and this year we’ve got A Perfect Getaway. Written and directed by the very capable craftsman

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GI Joe: The Rise of Cobra (Dan’s Take): (***)

With all the flaccid  outrage (read: Why didn’t I get invited?) by critics over Paramount’s decision to screen G.I. Joe to only a handful of audiences and critics (including CHUD’s spot-on review by Devin Faraci) and KSL’s Doug Wright mistakenly reporting director Stephen Sommers quit the project (he didn’t- nor was he ever fired), a huge question remains: “OK, but is it any good?” The short answer: Yes. Remember Stephen Sommers pre-Van Helsing? He’s back with a GI Joe that’s

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